Nora and Medea: Are they unconventional wives in a male-dominated society?

Medea, in Medea, and Nora, in A Dolls Ho rehearse, are both women who calculate to expect badly at the hands of their husbands in 2 male-dominated societies; the spring in ancient Greece, the latter in 19th cytosine Norway. Each does something important for her husband involving personal sacrifice, for which she expects real preaching in return, solely when this is not forthcoming, how do they press out? Do they accept the roles of courtly wives, demure and weak? Or do they rebel and be encounter unconventionally? Medeas culture set(p) that women had nigh no rights, and were regarded as little more than possessions: we have to pervert a husband [and] what we buy is someone to passkey it oer our body. Although Noras culture allowed women more rights, they were still forbidden certain(a) privileges; for example, a wife cant borrow without her husbands consent. This shows the male dominated societies the 2 women lived in, and the subordinate role the wife was expected to play. Medea was not, however, quite the conventional female of her culture for she is described as, a lioness, not human, unrestrained than Tyrrhenian Scylla. Her use of masculine language - I would rather fight third times, - suggests she is almost male despite being a model wife of her time: I have borne you sons.

Nora also acts unconventionally for her era, [borrowing] without her husbands consent, but is still a stereotypical wife in a sense, playing with her children and being her husbands inferior, a featherbrain and skylark. The sacrifices made by Medea for her husband Jason are considered evil arts in her society, and wee-wee her banishment. It! is arouse to note that Medea made those sacrifices because her heart was, smitten with cognize for Jason. She even out lists them to Jason: it was I... If you want to get a intact essay, order it on our website: OrderCustomPaper.com

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