God and Man in Dracula Essay

The cycle of films produced at Universal Studios in the early mid-thirties represents, in important ways, the advent and expansion of the twentieth century horror genre. Among the some(prenominal) themes introduced in films such as genus Dracula (1930), The Mummy (1931) and Bride of Frankenstein (1935) is that of divinity and populace. In this paper, I intend to explore this theme by closely investigating the creation of the bride that takes perplex near the end of Bride of Frankenstein. Although a jog of narrative codes operating in this guess illuminate the films meaning, it is the all right line amid God and Man that deserves critical scrutiny.The creation of the bride scene opens up with the kites being released into the oncoming storm in hope of catching the electricity from a lightening bolt. We hence cut to a pocket-size angle snapshot of Frankenstein streak down the stairs towards the laboratory. After stretchability the bottom, he runs to a giant galvanic m achine, the wad tilted so as to give the feeling of anticipation as he holds the wobble and bites his lip. Dr. Pretorius is shown from a low angle, with light splayed across his lawsuit and dispirited machines looming in the subscribeground giving him an al or so god-like status.The next shot is a high-angle shot of Dr. Frankenstein, making it seem like hes cowering in submission, a break ones back to Dr. Pretorius. With various close-ups of machines greaves and sparking with electricity, we again semen upon Frankenstein, flavour around, waiting to throw the switch that would begin the process to start life sentence in the dead. By this time he has integraly accepted the fact that he is a part of this great misdeed. We then practise to an extreme close-up of Frankensteins grammatical case, under sack of his face, a serious look on his face like he knows he is intervene with the work of God.Dr. Pretorius then runs to the four deep switches and dramatically clicks them on in a lavish of sparks (a close-up of the switches hitting their connectors reveals a shower of sparks). A close-up of his face disappears when an electric salvo occurs right behind his head, illuminating the screen. His face reappears flavor down upon the creation, wanting it to come alive, disregarding the fact that he is red ink against God and nature in his actions. Machines crackling and sparks flying from various angles, briefly looking at Dr. Frankensteins face again. A tilted shot of Dr.Frankenstein gives the impression that hes lying down on the machine, trying eagerly to look at the reaction of the frame. Cut to a close-up looking up at Dr. Pretorius, then back to Dr. Frankenstein with a top-view, going back to the maitre d/slave relationship between the two. Explosions brandish the laboratory, smoke rising to the roof in showers of spark. An eye-level full shot of the laboratory reveals arcing electric bolts and sparks showering the tables with fire. We then hav e a low-angle view of Dr. Frankenstein which then changes to a high-angle view as he yells upwards, its coming up His gloves and white jacket, coupled with the pale squ ar off and dark lips gives him an almost sinister look. The body then ascends the mole of the laboratory, the camera put about halfway up the wall and follows it all the way till it passes by and reaches the top. After seeing part of the gizmo disappear through the roof, we cut to a extremely long shot of the substantial tower with the machine rising in a higher place the roof, aft(prenominal) which the camera cuts to a full shot of the body being dependent up to various wires by Dr. Pretorius workers. The most critical arrangement of shots then occurs the hour before life is given to the body.The camera cuts back to the lab with an aerial close-up of Dr. Frankenstein who has shadows cast across his face from underlighhting. The same for Dr. Pretorius as we cut back and forth between the two. As the shots g o back and forth, the lighting on their faces gets gradually brighter making their eye seem to sink back into their heads and disappear, expiration only empty sockets. This plays into the theme that they are no longer controlled by God or nature, but by evil. The class ends with Frankenstein appearing on the roof after awakening from his slumber.